Appropriating Shakespeare: A Cultural History of Pyramus and by Louise Geddes PDF

By Louise Geddes

Appropriating Shakespeare: A Cultural historical past of Pyramus and Thisbe argues that the colourful, transformative heritage of Shakespeare’s play-within-a-play from A Midsummer Night’s Dream throughout 4 centuries permits us to work out the way Shakespeare is used to either create and critique emergent cultural developments. as a result of its cautious contrast among “good” and “bad” artwork, Pyramus and Thisbe’s playful meditation at the foolishness of over-reaching theatrical ambition is time and again appropriated via artists trying to parody modern aesthetics, leading to an ongoing review of Shakespeare’s price to the time. starting with the play’s personal construction as an appropriation of Ovid, designed to maintain the rowdy clown in money, Appropriating Shakespeare is a wide-ranging research that charts Pyramus and Thisbe’s personal metamorphosis via opera, novel, tv, and, in fact, theatre. This particular background illustrates Pyramus and Thisbe’s skill to draw like-minded, experimental, genre-bending artists who use the textual content as a way of exploring the price in their personal person craft. eventually, what this historical past unearths is that, in excerpt, Pyramus and Thisbe affirms where of artist as either buyer and manufacturer of Shakespeare.

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Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe (The Fairleigh Dickinson University Press Series on Shakespeare and the Stage) by Louise Geddes


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